The drone issue continues.The eyes in the sky multiply as any privacy and freedom we had slowly slips away.
The Drones are a powerful band on many levels. One of their powers in my case, is that they helped me get over my case of cultural cringe (the belief that Australian cultural products are inherently inferior to those produced overseas, particularly in Europe and the United States).
The Drones aren’t great and cool despite being Australian, but because they’re Australian. Their Australian-ness is itself a crucial part of their shtick and of their attraction. Lead singer Gareth Liddiard’s accent is almost comically ocker (I said almost). And although their sound, at least on the first couple of albums, harks back to many non-Australian forebears like the swamp-rock psychobilly of The Cramps and the noisy punk-metal sounds of bands like Black Flag, there is still something quintessentially Australian about the music, beyond Liddiard’s vocals. It sounds like isolation, dirt and big, empty space. A prime example of this Australian sound is ‘The…
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